We’re well within the holiday season, but the joy of decorating with your new artwork is just beginning! Whether you splurged on a stunning piece of contemporary art, a vintage print, or something in between, now is the perfect time to showcase your new acquisitions. Here’s how to hang your artwork in a way that maximizes its beauty and fits seamlessly into your home.
Imahica Art’s first backroom exhibition entitled “Traces” showcases a carefully curated selection of works. Art, as we know, continuously evolves. With the proliferation of new mediums, materials, and techniques, artists find new and more creative ways to innovate and create. Traces encapsulates the bridge that connects the present from its origin with the use of memory. Slowly but surely, Philippine art is slowly getting recognized on a global scale. Our culture is at the stage of learning how to fully appreciate the beauty and narratives in visual works of all kinds.
Cubism, one of the most influential art movements of the 20th century, revolutionized the way artists perceived and represented reality. Originating in Europe with pioneers like Pablo Picasso and Georges Braque, Cubism’s impact extended globally, influencing countless artists and movements. In the Philippines, Cubism found a unique expression, blending with the country’s rich cultural heritage and evolving artistic traditions. This article explores the history, development, and impact of Cubism in the Philippine art scene.
The Philippine art market is a vibrant and evolving sector that reflects the country’s rich cultural heritage and the dynamic creativity of its artists. Over the years, it has experienced significant growth, driven by increased interest from local and international collectors, evolving tastes, and the influence of global art trends.
Curating a private art collection is both an art and a science, requiring a keen eye for aesthetics and a deep understanding of the works’ cultural and historical contexts. Whether it’s a collection of contemporary pieces, classical works, or a mixture of different art forms, the way a collection is displayed and shared can greatly enhance its value and impact. This article explores the essential aspects of curating private art collections, from the initial acquisition of pieces to the artful arrangement and sharing of these collections with a broader audience.
The Philippines, a country known for its rich cultural heritage, is increasingly becoming a hub for artistic expression and creativity. One significant aspect contributing to this cultural renaissance is the thriving art fair scene. These events not only showcase the diverse talents of Filipino artists but also provide a platform for cultural exchange and appreciation.
Art preservation and restoration is a meticulous and multifaceted process aimed at preserving the integrity and beauty of artworks across various mediums. Whether it’s a centuries-old oil painting, a delicate piece of textile art, or a modern sculpture, each medium requires a unique approach to address its specific conservation needs.
Impasto, a technique where paint is laid thickly on a surface to stand out from the canvas, offers a rich sensory experience beyond traditional painting methods. This technique, used by artists such as Vincent van Gogh, adds a tactile dimension to visual art, engaging viewers through sight and the implied sense of touch. The resulting texture and depth can evoke powerful emotional responses and transform how we perceive and interact with artwork. This article delves into the sensory experience of impasto art, exploring how touch, texture, and visual perception interplay to create a unique aesthetic encounter.
Social realism in the Philippines is a powerful art movement that emerged as a response to the country’s social, political, and economic issues. This art style, characterized by its focus on depicting the struggles and realities of the common people, has played a significant role in Filipino art, especially during periods of political upheaval and social change.
In the dynamic landscape of the Philippine art scene, the distribution and accessibility of artworks have undergone a significant transformation. Traditionally, art galleries served as the primary venues for showcasing and selling art, providing a physical space for artists to exhibit their works and for collectors to discover and acquire pieces. However, with the advent of digital technology and the rise of online platforms, how art is distributed and consumed has evolved. This article explores the evolution of art distribution in the Philippines, from traditional galleries to online platforms, and examines the impact of this shift on artists, collectors, and the broader art community.
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